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wasn't until I was about fourteen years old that it occurred to me that
I might write for a living. I tried to make the covers of my school
rough books look like the covers of novels. I produced a whole "Ruf
Notes" trilogy as well as "A Complete Guide to Ruf Notes"
each with its own reviews and biographical details on the inside covers
and publisher's blurb on the back. Of course, there was nothing inside
the books -except the rough notes that I took during lessons!
In 1984 I came to Nottingham to study architecture. It was while I was
at college that I first started developing my skills as a writer and
illustrator. I was in a band for a short time - it was a pretty crummy
band. We never even played a gig, we just fooled around pretending to
rehearse. But, because I was the only one that couldn't play an instrument,
I had to sing (I am using the word 'sing' very loosely here) and this
meant that I also had to write lyrics. I enjoyed this and kept on writing
lyrics and poems long after the band had become no more than an embarrassing
memory. Then, one day, I decided to try to do an illustration to accompany
the lyrics to one of the songs. I was pleased with the result, so I
illustrated some of my poems, spending more and more time on each picture.
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After
leaving college, I worked as an architect for some time. I helped to
design and build a variety of projects including an art gallery, a theatre
and an airport check-in building. However, I was never very happy in
the job and I was always saying that I didn't want to be doing it in
ten years time. My wife, Rachel, was always telling me - selflessly
- that she would support me if I wanted to give up architecture in order
to pursue a career as a writer / illustrator. But I couldn't face the
possibility of giving up a steady job and then failing to get anything
published. When I did actually give up architecture in 1995, it was
because I was made redundant. I didn't jump - I had to be pushed!
Fortunately, three months after being laid-off, I signed up with a good
literary agent and, a couple of months later, I sold my first pop-up
book "Scraposaurus Wrecks". You might think that it would
be plain sailing from then on, but it wasn't. Although I finished illustrating
and designing the pop-ups for the book, it was never published. Although
this was a big disappointment, the fact that I had sold the story, and
been commissioned to illustrate and paper-engineer it, gave me the confidence
to continue working on children's books and I subsequently succeeded
in getting into print.
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